Saturday, 15 September 2012

The Paradox of Abattoir Blues

Saturday was a busy day. I started out with a trip to King Bee Records ( where I bought two seven inch singles: A Place Called Home / Kick It to the Ground by PJ Harvey and Happy House / Drop Dead/Celebration by Siouxsie and the Banshees. Last stop was Age Concern where I swapped a brown piece of paper for a white book case. On Returning someone was shouting my name in the street. It was Tom Long of the band Easter and his girlfriend Laurn Bolger of the band Sea Man. Synchronously they were looking for a happy house, or more literally a place called home. Lauren told me I should make sure I check out the band Cherry Pip at her Paradox gig at Fuel in Mithington that evening, as she thought they bore some similarity to the music of the lovely Ms Harvey. They were well worth sticking around for after Songs for Walter and Sea Man had played, and their piano driven cover of Gary Numan's Are Friends Electric was nice.

Later I zoomed into the centre of the city on wheels and raided the Vinyl Exchange 50p bin. There wer also a couple of grea three quid promos that some cloth eared ignoramous at the eNMEy hadn't bothered to listen to:

"Formerly Extinct" by Rangda on
"Black Mesa" by Jon Porras on

However my primary reason for hitting the city was an all day free gig in the Castle Hotel and Gullivers just across the road of Oldham Street. There I witnessed eight great bands or solo musicians hopped up on the blues: The Bourbon Words, Rag and Bone, Hopper Propelled Electric, My Red Balloon, Cactus Knife, Bones Shake, Euchrid Eucrow and Jim Adama. The best of them was the highly Birthday Party influenced trio Bones Shake, whose frontman was akin to some apstate preacher delivering a hellfire rock'roll sermon.
I liked the skeletal art on the flyer done by this lady

Then I headed to Fuel where I made new friends with my lucky dip carry bag full of CDs I never want to listen to again.

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